advent

the white-hot circle of the sun rising in a soft blue sky behind the black silhouettes of bare branches and one tall evergreen.
sunrise
The lace lingerie of early autumn mists
morphs to winter winceyette heavy along
the river bed and tucked into bare hedgerows.
Soggy garden squelches along my progress
as the land claims me, draws me away from screens,
technology and comfort; instincts triumph.
Killing me softly in baby pinks and blues
the day bites into my bones, challenges me
with the kind of pain I would go lengths to avoid
as I snuggle deeper into old sheepskin
and huff white clouds over my shoulder.

golden shadows

green and gold, grass with fallen ginkgo leaves against a background of bare-branches and the few remaining leaves on the tree
butter gold
Exotic butter-gold spread thickly over
tufted green, the discarded ginkgo garment
lies like a surreal shadow across my path
and up over the gentle incline that is
also river bank. I resist the temptation
to gather armfuls of riches, leave the real,
but take the memories with me, following
the watercourse home. And here I catch my breath
as the wealth confronts me. The rich butter-gold
of fatsia japonica’s fingers reach
out through the evergreen to beckon me in;
welcome me home with a carpet of gold; cloak,
bridge, to the incubator where I still grow.

water of life

sheltered pompoms
sheltered pompoms
Everything glistens, reflections shimmer
flicker and dance, water trickles and slides
dribbles under, over and around; fast,
slow, aimless and meandering; water
of life, pooling, gurgling, drowning, rotting;
life and death. Drop by drop descending, cold
at this time of year, superfluous to
hibernating plant life, seeking its way
down into layers of soil sucked dry by
generations of ancient laurel roots.
Filling the copper bowl, celebration
flagon on shiny-wet garden table,
this water of life is a birthday toast.

frosted fingers

evergreen fatsia japonica leaves folded down in the cold weather. the slightly misted image has sunlight in the top left corner and a clearlt frost rimmed leaf in the centre.
frosted
Frosted fatsia fingers fold modestly,
cloaking bare stems and the confetti of white
petals and pollen, a fallen skirt on cold
cobbled path. Intact bauble-blooms point skyward,
flaunt their fluffy outlines as mini spaceships,
decorations for the festive season. Treats
for tiny flying aliens not yet succumbed
to slumber.

six or was that seven

timed confusion
timed confusion
I wake with the daylight, until
practicality dictates a
change of tactic and the battle
to serve the clock asserts its might.
Orientation with the day,
via a peep through my curtains,
offers the schizophrenia
of the indoor outdoor climates;
at five, or is that four, I wake
to the past season. At six, or
was that seven, adjusted clocks
declare breakfast claims attention.
In my bubble of artificial
light, surrounded by dark, senses
on full alert, I creep outside
to re connect with shadowy
shapes: to feel free, to taste fresh air.

that time of year

Blue sky shot with red and gold, streaking like fire behind the dark silhouette of a laurel hedge
red sky warnings
These last few weeks I’ve struggled; slept
erratic sleep, dreamed chaotic
dreams; lived unease, anxiety
and lost my appetite. I try
to go with the predictable
flow, but reason speaks not to this
protesting body that watches
life, all life, undisturbed by the
artificial manipulation
of this pocket of time, making
it’s own response to the greater
challenge of unpredictable
climate change at full global scale.

autumn forgetfulness

Two rusty metal guinea-fowl standing in sunlit ivy and embraced by tendrils of toadflax. They face towards the right of the picture with a faded green fence behind them.
rusty chorus
Captivated by dawn, I watch
the sky melt rose gold; river-mist
blush exciting pink translucence;
chorus girls preening glossy red-
black feathers – cackling the morning
mantra at monosyllabic
ducks poised to erupt in mocking
laughter. Autumn forgetfulness
lets summer return with promise
of lingering heat, of sweet nights
under the strawberry silver
of super-moons, ripe and rolling
romantic heavens; finale
to late treasures of exquisite
light and the magical warming
of this last lingering embrace.

thinking ahead

A close-up of ripe, golden, nigella seed heads against the black lily-grass on a misty morning
treasure
The damaged aeonium shows
every sign of taking root in
the new pot, the new space. And self
seeded stipa makes green tufts to
harvest for a new bed. I have
astrantia seed, and nigella.
The black lily-grass, bursting out
of its own space is ready to be
devided; house leaks trailing out
into the unknown, have copious
off-spring. And the feather-fern, a
Chelsea treasure, is also ready
for division. The vinca, Gertrude
Jykell, has delicately rooted
along its trail, there will be new plants
to nurture. I used to find all this
cyclical-stuff intimidating;
life too close to death, the reminder;
the toiling of the earth.

windblown

An empty terracotta pot stands at the woody base of the laurel hedge. It is surrounded and partly hidden by ferns and grasses that will all die away in winter.
empty pot
Like snow the agapanthus blossom
twirled to the ground, prompted by winds that
do not normally disturb the micro
climate of the south garden. The new
phormium has taken well, doubled in
size and capacity to filter the
wind seeking to invade the space, so I
can only hope that next time, next year,
it will be even more effective
against the tide of climate change and
disruption. Waving long copper-black straps
it points to my damaged aeonium,
and mimics my witch’s broom with promise
of magic not just confined to the
hex celebrations of midsummer.
The agapanthus will blossom again.

personal rainbows

White-gold whisps of stipa tenuissima grass, leaning downamong nigella seed heads and black lily-grass. In the background the evergreen pittosporum, laurel and bamboo.
mellow gold

 

The low sun catches my eyelashes, unleashes
rainbow sparkles in over-lapping half orbs of
multi-coloured stripes that rest peacefully while I
focus on my ever sleepier garden, but
leap and flicker when I attempt to bring them,
from peripheral, to the subject of my gaze.
I rather like the idea of my own personal rainbows,
coloured lights for the undoubted fade that is autumn,
jewelled fringes to mellow golden treasures
swallowed up by the evergreen and skeleton
structures that prepare for the frosted limelight
while the gemstone colours are regaining their strength
underground.